Perhaps this piece was affected by the fact that I played Leonard Cohen and “Like a Bird on a Wire” in the studio for about three months straight. I was fortunate to go to his once-in-a-lifetime concert last month, and it exceeded all memory and expectation. I’m interested here in the idea of freedom, the real and unreal and the precipitous edge between. Offset paper lithography using reproductions of wood cuts from the 1700’s, hand-printed over pastel and watercolor.