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Thoughts on the Act of Editing: Photographic Reality, and How you Look at a Forest Fire

December 6, 2020 by Iskra Leave a Comment

 

Forest Tree Portrait photograph by Iskra
Interregnum, ©Iskra Fine Art (Available in two sizes, click image to see details.)

New Directions: Western Landscape Photography Part 1

 

Today I have been living with this tree, captured originally in full color (though muted and overcast) in a forest east of the mountains. I say, “this tree,” but you, the viewer, might not be seeing the same tree I am. You might be seeing the tree on the right, scorched by fire, and interlaced with the bleached needles of a pine that may or may not see spring. I am aware of that tree also. But in the moment of stepping into this meadow what stood out against the uneven and patchy hill was the shimmering tree with yellow leaves and white bark. In a soundscape emptied of birds the wind in its leaves made the only sound.

As I go back in time to this moment the digital darkroom allows me to ask “What is this story about?” countless times, and each time to come up with a different answer. A voice I’ve heard often says “People don’t like dark. Make it light, make it hopeful.” Leonard Cohen speaks up on another station and says, helpfully “Make it darker,” as for that poet the darker the shadows the brighter the illumination. In developing a photographic print I cycle through decision after decision, undoing, saving, revisiting, doubting, knowing, unknowing. Each revision of value rewrites light’s story, saying: the point is the mountain, or the pines, or the sky. Finally it may land on this, perhaps a tale of the heroine in white, surrounded by courtiers and knights and armies in the distance.

In the forests around Yakima the shape of the aspens tug at a memory of the archaic, and make me think of Joan of Arc in a book I saw as a child. The pages of the book were engraved and brown at the edges, pungent with age. Joan sat on her horse deep in a copse, her armor camouflaged by dappled light, her sword glinting. The style was detailed, each leaf individually drawn and burnished against a pewter sky. In the grove, momentarily safe, Joan was thinking, and gathering herself. On my hikes I kept looking for her, expecting her to ride forth, tossing her hair as she leaned under a branch, turned a corner on the trail, and paused to look out into the distance. What would Joan have said? Dark or light, or a middle tone? I am not sure, but her horse would have led up the canyon into the fire, which was still smoking. [Read more…]

Filed Under: Photography, Prints Tagged With: evans fire, forest fire photography, hope versus reality, landscape photography, Leonard Cohen, photography and reality

Introducing the Sweet Old World Series

March 9, 2020 by Iskra Leave a Comment

Ancestor Memories

 

Today’s post introduces work from a new series called Sweet Old World. The title comes from a Lucinda Williams song which I listened to for years until the tape sputtered out. Its bittersweet chord progressions operate as a homeopathic tincture for melancholy, virus panic, and stock market crash and immediately put things in perspective.

In going through the family archives this winter I found a small cache of silver gelatin photographs from the late 1800’s, and I have been living with them for months, buttering my toast under the watchful eye of ladies in white, their starched gowns tinted pale shades of sepia. I have always loved the mysterious blurs and emulsion fog of Tintype and other early photographic techniques. I began my work as a printmaker in film photography and etching on copper and zinc. As I have put these new images together it is through the lens of the past and the aesthetic of an earlier time. The work is composed from my original photography, paint, and varieties of modern alchemy. It falls loosely into three categories: architecture, botanica and resonant objects. I will be developing the different bodies of work over time, while I also work on paintings.

 

Farmstead landscape print by IskraFarmstead, © Iskra Fine Art.  

Nostalgia was originally described as a “neurological disease of essentially demonic cause” by Johannes Hoffer, the Swiss doctor who coined the term in 1688. Military physicians speculated that its prevalence among Swiss mercenaries abroad was due to earlier damage to the soldiers’ ear drums and brain cells by the unremitting clanging of cowbells in the Alps.” 

 

[Read more…]

Filed Under: Architecture & Sense of Place, Photography, Prints, Recent Posts Tagged With: Modern Vintage, Seattle Landmark, Smith Tower, Sweet Old World Prints, University Christian Church, Victorian Gate Print, Vintage Style Prints

Winter Walk | New Year’s Greetings from Iskra

January 1, 2020 by Iskra 2 Comments

Winter Walk Print by Iskra
“Winter Walk,” limited edition print © Iskra Johnson

Greetings in the new year! As I write this the rain has lifted in spite of the emoticon insisting otherwise on my phone. Outside the studio window the trees are shimmering, in delicate shades of umber and sap. I will be going for my New Year’s walk soon, but I want first to send out this letter of thanks to friends and collectors for your support of my work over this past year. Although my attention was often elsewhere, preoccupied with family and personal loss, this turned out to be the best year I have ever had in art. I have never felt more grateful for the opportunities of this path, and am filling notebooks with new ideas that keep me up until the wee hours.

The new year brings some shifts in focus and refinements of direction. Although I will continue to do prints, in multiple ongoing themes ranging from natural landscapes to architecture and industry, I am also returning to drawing and the roots of contemplative art. For much of my life calligraphy was my daily practice and also my livelihood. The practice of 26 simple forms kept me clear and laser focused: it is not possible to do calligraphy without being in the moment. Photography is also an art of the moment, and of awareness, but with the introduction of digital methods and the printmaking processes it is also mind-bendingly technical. One can very quickly forget to breathe, and accordingly shut off the pathways to seeing that come only through working directly with one’s hands.

Last month I officially retired from my career in design to focus full time on art. Letters will continue to appear, but in new forms, not as corporate identities or book titles, but as visual art and as essays. Honoring the path I took in lettering and all that it taught me, I have returned to the morning practices of handwriting and drawing as meditation, which opens up a whole new-old world of contour, shape, representation, chiaroscuro. I am sharing my process on Instagram and find the community there to be wonderfully supportive (including in bringing me new tools, like the marvelous 3-point ball point pen from renowned artist Nicolas Sanchez.) Instagram is my laboratory for bringing worlds together: narrative, poetry, photography, community and contemplation. From the act of making process visible my work takes leaps it would not think of in the privacy of my own studio.

Concentration drawing of a moon shell by Iskra

So it turns out ballpoint pen was just a starter drug to pencil. I have never been able to draw happily with a pencil and suddenly here it is and I love it, thank you hb graphite and mornings listening to jazz to keep the thinking mind quiet. To draw is to find the horizon. A shell is a vast landscape with one curved edge and beyond it is the sea and the sun and the moon. To draw a moon shell is to sneak up on it. I always love best the white space and for me I go on tiptoes with very soft feet before committing to the form.

If you are used to seeing architecture here and wondering about consistency, don’t for one minute be fooled…. A shell is a house by any other name.

My limited edition prints can be seen in a beautiful ongoing display now at Museo Gallery on Whidbey Island, and in a new venture out of Paris that I will share more about as it develops. I am offering a range of new prints in my shop available to browse online or in studio visits. The two forest images here are from a series based on winter walks. I love taking digital methods and transforming them through a classic aesthetic. I approach the making of a digital photographic print as I used to approach darkroom printing, dodging and burning, proofing, squinting, and always keeping in the foreground a sense of printerlyness and paper. The forest series is a vestige of an older world, when there were Currier and Ives plates lined up on the mantel, and the forest was eternal. This series, like the Traveler’s Suite, is intimate scale, 12 x 16 on a 17 x 22 sheet.

I wish you a beautiful beginning to the new decade. May the weather emoticon work with us more often than not, and bring at least as much light as dark. And may we all look up and see the sky.

Forest Grove Fine Art Print by iskra
“Forest Grove” limited edition archival pigment print © Iskra Johnson

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Filed Under: botanical art, Iskra Sketchbooks & Journals, Prints Tagged With: contemplative art, iskra fine art new prints, nature prints by Iskra, winter walk

Introducing the Travelers Suite | A New Affordable Print Series for the Holidays

December 4, 2019 by Iskra Leave a Comment

River House landscape by Iskra
“River House,” Archival pigment print © Iskra Johnson

Greetings from the road! I have begun to travel for the first time in years, with my eyes far away. I hardly remember how to pack my bags, much less a passport, so I am starting with what’s close, Portland and Victoria, within easy flight for a windblown gull. It has been a difficult couple of months. Many of you know that my mother passed away in September. It was a wrenching loss, and her life and passing are chronicled in my remembrance here and in the obituary written by the New York Times. My mother was a writer and activist, and her last book, published at 85, was her traveler memoir, titled Seeing for Myself: A Political Traveler’s Memoir. This coming year is dedicated to her memory, and to her adventurous spirit.

From a series called “Traveler”, the new prints here are inspired by the mind state of journeys far and near. Portals, gates, trains, sky, the glimpse from the window as scenes overlay with memory and time and possibility expands. These are multiple exposure images begun in my phone as a glimpse of “something” – captured in a split second and later reflected upon. A double exposure is an acknowledgment that we are never in just one place in time. The exposure is random, but not. Always there is the chance of unexpected poetry in how images blend and collide. You can ask yourself questions like: is the composition balanced? Is there a contrast of dark and light and shapes and mood? Or you can ask the existential version: 1) When is a splatter a flight of birds? 2) When is a blur a memory? 3) When is a memory a lie? 4) When is a lie the truth…..

The new series is printed in affordable editions of 50 with an image size of 12 x 16 on 17 x 22 sheets of German Etching. The prints are sold unframed in my shop for $150 including shipping. I welcome studio visits for local friends and art lovers. Take a look and let me know what you think. (Click through on each image to view large scale and in situ.)

[Read more…]

Filed Under: Digital Collage, Prints Tagged With: art inspired by travel, creative digital printmaking, double exposure, travel photography, Traveler Suite Print Series

Iskra in Under the Influence, Opening December 5 at SAM Gallery

November 22, 2019 by Iskra Leave a Comment

Plum Wine Iskra SAM Show
“Plum Wine,” limited edition print on panel, 24 x 36 © Iskra Johnson
You are invited to the opening of

Under the Influence

at SAM Gallery
December 5, 6 – 7:30 PM
Seattle Art Museum, 1300 1st Ave, Seattle, WA 98101

Artists influenced by Asia are featured in SAM Gallery’s final show of the year. I am excited to be part of this group of artists including Deborah Bell, Alfred Harris, Laura Van Horne and Junko Yamamoto. Each of us is influenced by Asia in very different ways, involving surface, paper, collage, markmaking and photographic innovations. Join in this festive opening and celebrate the Asian influence on Northwest Contemporary art.

My work in this exhibit will show a new way of presenting my work on panel. The limited edition prints are meticulously mounted and sealed in layers of cold wax medium, which creates a subtle hand crafted sheen. Without traditional framing the work becomes an immediate experience of surface and color, unimpeded by reflections. The surfaces are hard to photograph, but here is a capture in the studio showing “As Above So Below,” one of the works that will be shown. If you would like to preview and reserve before the opening I will have these pieces in the studio through next Tuesday before they are delivered to the gallery. Give me a shout and I would be happy to show you in person. There will be an edition of 5 available for each piece, framed traditionally in plexiglass and brushed silver, or mounted in cold wax on panel. All sales through SAM Gallery.

Archival print mounted on panel by Iskra
Print mounted on panel with cold wax
“The Heron,” archival pigment print mounted on panel © Iskra Johnson

 I look forward to seeing you to celebrate the launch of the winter holidays!

Filed Under: Iskra Shows, Upcoming and Past, Prints Tagged With: Asian-inspired art, Cold wax on prints, Iskra at SAM Gallery, Iskra shows, Under the Influence

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