The big puzzle in my studio life right now is how to maintain access to intuition while working in the highly technological medium of digital print making. As someone coming from traditional printmaking, and particularly monoprint, I prize the excitement of accidents and transformations not entirely in my control. And the things I look at obsessively, like the sides of dumpsters and the backs of stop signs, are surfaces of completely unintentional beauty. To get this feeling of things — to get the reality, more importantly — it’s essential to embed in the workflow some wild cards. The images I have been doing recently are taking radical new turns, and it’s because I have been taking risks and learning how to embrace chaos.

What is Digital Printmaking?

First, for those reading who may think of digital printmaking as simply scanning a painting and printing it from a computer, or using a mouse or stylus to draw, a brief explanation. [Read more…]