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You are here: Home / Archives for Recent Posts

My House Is Not A Tree: Art, Shamanism & The Demon Flicker

August 1, 2013 by Iskra 4 Comments

Awhile back I had a Flicker on the side of my house. By the wording of that sentence you may know that I mean attached as though with adhesive, firmly anchored, determined, and loud. A Flicker is a bird that thinks your house is either A) a piece of wood that he can bore into and coax ants into or B) a dead tree or soon to be dead tree that already has ants and other insects living in it rent free — insects which the Flicker plans to have for breakfast, between 4 and 5 AM.

On a fine spring morning you may find yourself barefoot in your bathrobe with a garden hose, screaming and spraying into the eaves as the protected and very handsome bird looks over his shoulder at you and says, “Huh.” If you are me, you start painting pictures to explain the situation — to the bird.

 House Is No A Tree
My House is Not A Tree  © Iskra Johnson

This went on for quite awhile. I tried a lot of different approaches to organizing the message. Some were direct, some were oblique.

Flicker 2
Flicker 2, © Iskra Johnson
House Carpenter
House Carpenter © Iskra Johnson

I grew in a strange way quite fond of him. I assumed he was a him. When he attacked the gutters I nicknamed him Donald Rumsfeld, remember him?

Flicker: Getting To Know You
Flicker: Getting To Know You, © Iskra Johnson

Flicker In Yellow Tree

I tried reversing him, and I gave him a very fine tree with lots of bark. And finally I did this painting, the last in the series, which may have been the one that finally got the message across, because he went away and I have never been bothered since:

Flicker 3
Flicker 3 © Iskra Johnson

I recently was approached by someone who also had a bird attached to her house, and she took possession of this painting to see what powers it might have. I requested that my patron sign an indemnification agreement, as I cannot guarantee that this kind of magic will work twice. And it occurs to me tonight as I look around the studio and into the eaves that I may have broken a rule of art and magic, as now my bird is gone, and perhaps along with it the protective spell. Tomorrow morning, if you see a woman in her bathrobe spraying a garden hose into the sky and shouting in some strangled and incomprehensible language, that will be me.

 

Filed Under: Painting, Recent Posts, Uncategorized Tagged With: art and shamanism, house and Bird Painting, house carpenter, Northern Flicker Painting

Impermanence Study No.17: The Dragonfly

June 20, 2013 by Iskra 2 Comments

Impermanence Study No.17 (Dragonfly)
Impermanence Study No.17 (Dragonfly), © Iskra Johnson, Archival Pigment print, 16″ x 16″

This time of year the pond is dizzy with dragonflies. They hover in a cloud of iridescent blue, migrating from the waterlilies to the yellow poppies, and I have even seen them in the house, poised over the threshold of the front door. When I found the body of a checkered dragonfly on a lily pad last July I started this piece, which is now in its 17th iteration. Maybe you call that a …..”series.” Collage is the art of decision– and indecision. It is the ultimate practice of impermanence, as any element can be moved at any time to create a new shift in perception. If, in your own dragon-fly hovering, you begin to doubt and become anxious for resolution, you lose sight of the wonder that illuminates the process. I am influenced lately by a provocative book by Leonard Koren, Wabi-Sabi for Artists, Designers, Poets and Philosophers. I read this when it first came out in 1994, but had not consciously thought about it for years. The new edition includes black and white photographs that elucidate each premise with quiet and subversive elegance. This passage uses the garden as metaphor, but could as easily refer to making art or any other creative endeavor: All things are incomplete. All things, including the universe itself, are in a constant, never-ending state of becoming or dissolving. Often we arbitrarily designate moments, points along the way, as “finished” or “complete.” But when does something’s destiny finally come to fruition? Is the plant complete when it flowers? When it goes to seed? When the seeds sprout? When everything turns into compost? The notion of completion has no basis in wabi-sabi. Of course, Edna St. Vincent Millay also said, “To create one must decide.” And the challenge is to hold both truths and not go crazy. I find it helps to work until midnight, when things get very quiet, to a certain kind of music. The artist of the snuff bottle, on the other hand, had not the luxury of indecision. Bottles like this one were painted with tiny brushes from the inside of the bottle. Ponder that feat of execution next time you think you have a technical challenge.

Through A Glass Darkly Dragonfly Snuffbottle print
Through a Glass Darkly (Impermanence Study No. 12), ©Iskra Johnson, archival pigment print, 16″ x 16″

 

Soundtrack: Darshan Ambient, anything by Michael Allison. Or Catching Up to You. Or Sidney Ji’s meditative Water Sines.

Filed Under: Photocollage, Prints, Recent Posts, The Garden, The Spiritual in Art Tagged With: art about impermanence, art about wabi-sabi, Chinese snuff bottle print, collage process, dragonfly print, Edna St. Vincent Millay on art, Leonard Koren, photocollage in nature

Finding the Fourth Leaf

May 31, 2013 by Iskra Leave a Comment

Four Leaf Clover Painting
Four Leaf Clover Painting, Acrylic on Canvas, 4″ x 4″, © Iskra Johnson

One of the advantages of growing up on a farm is that you spend a lot of time being just a few feet tall and eye-level with the field. Later, but slowly, you grow a bit and look down, and all the tops of things come into view. Your sense of wonder at that age is matter-of-fact and practical, scaled for harvest. Everything fits in your fist or your back pocket or between your teeth. If you develop the habit of looking down, soon you find four-leaf clovers everywhere.

For years if I opened books from my shelf at random, in particular, books like Black Beauty, or The Wind in the Willows, clovers would scatter onto the floor. The knack of finding them stayed with me for years, and then one day I forgot about it. I gave books away, whole shelves full, without remembering to open them first. My luck, I would have to say, was not exceptional, and there were times I would look around me and feel that some intangible thing was missing. Who knows how the fourth leaf, of grace, comes into one’s life? Last week I visited Fernwoodsy, a magical place of dappled light and bees and meadow. And for just a moment I looked down…..

Pressed Four Leaf Clover

Filed Under: Painting, Recent Posts Tagged With: Fernwoodsy, finding luck, fourleaf clover, painting as talisman, painting of four leaf clover, shamrock painting, the fourth leaf

Ten Perfect Days in New York, with a Few Showers

May 15, 2013 by Iskra 4 Comments

Crossing The Brooklyn Bridge
Crossing The Brooklyn Bridge, with 10,000 other people. © Iskra Johnson

I have recently returned from ten incandescent days in New York City. Or rather, eight incandescent days and two with thunder and lightning and flash flood alarms. It’s that kind of world. Although I have been to New York many times it had been fifteen years since my last real visit of any length, and I had never committed that primal rite of passage, The Walk Across the Brooklyn Bridge. Over the years it had evolved in my mind into an epic solo journey with only myself, the wind, and ancestral vertigo as company.

Ahh, those 10,000 other people, what did I know? And all of them walking home from Manhattan against my little tide. I can’t say enough about the beauty of tarps, and tarps with boldly censored grafitti which, for a person who makes their livelihood decoding the alphabet, is very close to bliss. I traveled well-protected in this billowing crib, although several Brooklyn-bound bicycles nearly took out my camera arm.

Walking Man With Brooklyn Bridge Bicycle Locks
Brooklyn Bridge Pedestrian With Lost Bicycle Locks, © Iskra Johnson

I would like to thank my dear friend and talented photographer Teresa Morani for showing me the Wonders of DUMBO and in general guiding me through the circuit overload of this astonishing city. (“Why,” asked a new acquaintance on the tarmac at La Guardia, “do they keep re-naming parts of the city that we already know some other way? What the hell is Dumbo?” I feel her pain, but I can’t really resist an acronym that stands for “Down Under the Manhattan Bridge Overpass.” It pretty much lets you know that you are entering a city where people live steeped in place. They notice things. (And of course, once noticed, things become very expensive……) Here are a few of the 1,734 moments glimpsed as I mostly walked Manhattan and Brooklyn, avoiding Google maps and asking someone new every few blocks where I was and where I was going. Many of these images will be available as prints at a later date and will be posted in the prints or photography section of my website. (Click each image to see larger.)

Carousel At Dumbo
Carousel At Dumbo
The Bubble
The Bubble, © Iskra Johnson
Central Park Spring Sky
Central Park Spring Sky, © Iskra Johnson
The Player
Music at the Edge of the Park, © Iskra Johnson
Goddess Of Culture At The Met
So Much Culture, So Little Time (at the Met) © Iskra Johnson
 The Bridge From Dumbo
The Bridge From Dumbo, © Iskra Johnson
47 Angels
47 Angels, © Iskra Johnson
A Tree In Brooklyn
A Tree In Brooklyn, © Iskra Johnson
Three Windows
Three Windows, © Iskra Johnson
NOTICE
NOTICE, © Iskra Johnson
Manhattan Fire Escapes Morning
Manhattan Fire Escapes: Morning, © Iskra Johnson
The Chain
The Chain, © Iskra Johnson
The Tower
The Tower, © Iskra Johnson
Liberty from the Shore
The Statue, © Iskra Johnson
A Room OnThe Street
A Room On The Street, © Iskra Johnson
Looking Up
Looking Up, © Iskra Johnson
Intersection
Intersection , © Iskra Johnson
Crossing with Signal
Signal, © Iskra Johnson
Improvements
Veil with Tree, © Iskra Johnson
Orange Veil
Orange Veil, © Iskra Johnson
Chess-In-Washington-Square
Chess In Washington Square, © Iskra Johnson
Empire-At-Night-(From-the-Highline)
Empire at Night (From the Highline), © Iskra Johnson
AboveThe Clouds
Above The Clouds (Coming Home) © Iskra Johnson

Last night I went for a walk to see if I was happy to be home, and I was. This city is so quiet people whisper in restaurants and you can hear the clouds scrape against the sky. There is the occasional disturbance, if you look for it. As I walked towards the bay I heard a raucous shrieking and looked up to see nine crows chasing a bald eagle. They kept going until I lost sight of them far beyond the edge of the park. Here at the frontier there is time to think and recollect. Every night I am dreaming of buildings, and then I wake up and plant peas and divide the baby lettuce. If you would like to know some of the places I went while in New York and the things I recommend here is a short list:

The Highline (Oh Seattle City Council, please please please, can we do this with five feet of the viaduct??)

DUMBO

The Met, Most especially the exhibit of Civil War photography, best viewed after getting lost for a few hours in the Cycladic art collection, just for historical perspective

MOMA, especially Dieter Roth’s “Later this will be nothing.” Also, I suggest having lunch there in the cafe for several hours while reading a novel, perhaps Jennifer Egan’s “A Visit from the Goon Squad”. People will be having very interesting conversations one eighth of an inch away from your elbow, mostly in “foreign” languages, but you may hear about the custom fireplace that very nice looking man is installing for those people with the third home on Fire Island. It’s taken him two years and it’s not yet done.

Gagosian Gallery, Anselm Kiefer’s new exhibit “The Morganthau Plan” And while you are there will you please pick up the book for me? It wasn’t in stock the first week. The other book, Next Year in Jerusalem, is crazy wonderful so I have to assume this one is too. If you see the stereoscopic displays of the Civil War scenes at the Met first it will make these paintings look very different. I think anybody planning to wage a war might want to stop in to these two exhibits before firing up the drones.

Rosanne Olson’s “Rapture” at Robin Rice Gallery. Sublime.

Central Park on a sunny day. There is no greater bliss. Blow a bubble for me.

 

Filed Under: Photography, Recent Posts, Travel Tagged With: 10 perfect Days in New York, artist's eye on Brookklyn, Brooklyn Bridge, Central Park on a sunny day, photography of New York, street photography New York, The Highline

Last Week to See Painters Under Pressure at Phinney Gallery

April 24, 2013 by Iskra Leave a Comment

"Bird," Archival Pigment Print © Iskra Johnson
“Bird,” Archival Pigment Print © Iskra Johnson

This is the last week to see “Painters Under Pressure” at Phinney Gallery. The show comes down May 1. “Bird” is one of a dozen prints I have in the show. I do hope you will come by and see the work!

First formed as a Seattle Print Arts Salon Group, Painters Under Pressure has met for over 10 years to discuss and support the development of each others’ artwork. Each of us approach our printmaking from a painterly background and use the pressure of printmaking techniques to produce our varied styles of work. This exhibition brings together works resulting from the last 10 years of critique and camaraderie from these 6 artists: Ruth Hesse, Stephen MacFarlane, Tracy Simpson, Jon Taylor, Iskra Johnson, and David Owen Hastings.

Phinney Center Gallery Hours:
Monday – Friday 9am – 9pm
Saturday, 9am – 2pm

The Phinney Gallery
6532 Phinney Ave N
Seattle, WA 98103

Filed Under: Iskra Shows, Upcoming and Past, Prints, Recent Posts Tagged With: Bird Print, Iskra Fine Art Shows, Painters Under Pressure, Phinney Gallery, Photo collage Bird, VisualPoetry

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