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Poem for Waiting (Just Hours Before the Proposed End of the World on 12.21.12.)

December 20, 2012 by Iskra 3 Comments

 

 The History Of Counting Charcoal Drawing

 

Counting Time in Sticks (For My Ancestors)

 

People I never met but who must have known I was coming

have dreaded winter just as I do.

They too would ask release

and count perverse blessings

of lighter days as the air grows colder

the ground harder whiter harder

and fear itself envelopes,

being a real thing.

 

Before I was born they were

counting time in sticks

bundling the seconds

minutes

hours

days

weeks

months

though not knowing these divisions

only knowing without divisions

there are no endings and no beginnings

and sometimes you need both.

 

They had no mittens and no books or catalogs of mittens

and no down throws with lofted ticking

and no monogrammed leashes because the dog himself

had not been invented and the wolves could and gladly would

eat your children (count them).

 

Which great-grandfather lying in the tired dirt of late November

invented the four strokes and then the slash

while looking at his hand

perhaps missing a finger?

 

Did a woman break twigs into equal lengths and line them up equidistant

to measure the days since last she bled?

(Each tilting stick a small death,

a reprieve

a slanting wedge of light above her.)

 

In the Book of Hours

the man

sits at forest’s edge

and dries his boots above the fire.

The ghosted chapters on reverse

whisper August, harvest, maidens surely

and in the margins gold

laid by monks

drunk equally on purpose and absurdity

flickers like summer

in the heatless monastery.

 

How earnestly they lay the leaf and burnish,

my Irish cousins

their breath the perfect warmth

to resurrect

The Word.

Yet in the museum

of the darker pages

in the basement where the docents never go

there you’ll find the wooden plank

where scratched the days

with a gilding knife,

in sets of five chased always by a ragged few,

the prisoners.

___________________________________________________________

Poem and drawing © Iskra Johnson

Above, charcoal and pencil, “The History of Counting”

Filed Under: Drawing, Poems Tagged With: apocalypse poetry, before the end of the world, illustration of time, poem about counting, Solstice poem, the history of counting

Conversation With Myself (while I waited for you to make up your mind….)

December 12, 2012 by Iskra Leave a Comment

Conversation With Myself

“Conversation With Myself, While I Waited for You to Make up Your Mind…..” © Iskra Johnson

This is the first in a new series about urban language. Composition assembled from the broken sentences around me: re-purposing. RE-listening, taking back the marks on the random public/private canvas.  Rewinding that David Byrne movie “Stop Making Sense.” I think I’ll call it The Wailing Wall. People just can’t stop talking.

Filed Under: Digital Collage, Prints Tagged With: digital collage, found poetry, street poetry

New Mixed Media Digital Collage: The Big Dig

December 8, 2012 by Iskra Leave a Comment

ViewFromTheWallBigDigBlogView From The Wall (The BigDig), Mixed Media Digital Collage, © Iskra Johnson

 

This piece came from the last glorious day of sun in late October, a long wind-blowing walk along the perimeter of Seattle’s “Big Dig” project. This is the view from the waterfront with one of our stadiums in the background.

See more of these kinds of images in the print gallery Construction Reconstruction.

Filed Under: Construction/Reconstruction

Tom Hoffmann’s New Book on Watercolor Painting

November 29, 2012 by Iskra Leave a Comment

I was thrilled today to receive my copy of Tom Hoffmann’s new book on watercolor, “Watercolor Painting: A Comprehensive Approach to Mastering the Medium,” just out from Watson Guptill. You may know Hoffmann as a painter of incandescent skies and inimitable backstreets, an artist who takes “the unpaintable” and transforms it– he can make the most ordinary extraordinary. Over the course of his career his work has moved through many phases, but always it holds an indelible signature. His paintings are about paint and how it wants to be, combined with wonderful leaps of reduction and abstraction. His best work captures the air and the time of “place”, with a haunting sense of both immediacy and reverie.

This new book provides a valuable and fresh approach to understanding the medium. It’s a big picture view that will fill in what is missing from the volumes that teach you how to render kitten fur or use frisket to paint birch trees in the snow. (Not that these techniques aren’t valuable for any painter’s repertoire……) I am happy to be included in the book with a study for “From One Tree.”

From One Tree Botanical Watercolor Study
“From One Tree” watercolor of laurel leaves on hotpress Fabriano © Iskra Johnson

Hoffmann’s is the latest in a series of truly fine books written by instructors at Seattle’s Gage Academy of Art. Collectively they are setting a new standard for instructional books, many of which are becoming best sellers in their area of expertise. A list of other books by Gage instructors is included at the end of this post. Stay tuned for a book launch party and show at Gage in January. And if you would like to see more of Tom Hoffmann’s work you may visit him at his website.

A selection of books from Gage Academy instructors:

“Landscape Painting: Essential Concepts and Techniques for Plein Air and Studio Practice,” by Mitch Albala

“Classical Painting Atelier: A Contemporary Guide to Traditional Studio Practice,” by Juliette Aristides

“Contemporary Drawing, Key Concepts and Techniques,” by Margaret Davidson

“Lessons in Classical Drawing: Essential Techniques from Inside the Atelier,” by Juliette Aristides

“The Artist’s Complete Guide to Facial Expression,” by Gary Faigin

 

Follow the book and see more work by the contributors at the Hoffmann Watercolor Facebook page.

 

Filed Under: Watercolors Tagged With: books by Gage Academy instructors, how to watercolor books, tom hoffmann waterfolor book, watercolor books

Sonnet/Sonata, An Evening with Robert Hass, Jonathan Biss, and Heather McHugh

November 23, 2012 by Iskra Leave a Comment

Piano And Butterfly WingsRecently I had the pleasure of attending an elegant soiree at the Seattle Asian Art Museum as a guest of Heather McHugh. McHugh, in case you are unfamiliar with her, is a poet and MacArthur fellow, as well as recipient of a Stranger Genius award. Part of McHugh’s genius manifests as generosity. This evening’s offering of intensely beautiful culture came in the service of Caregifted, her charitable organization devoted to offering relief and deep respite to the exhausted and over-extended caregivers among us.

Many of us know someone, (or we may ourselves be) in the position of giving care to a permanently disabled person. Often this job is a 24 hour commitment and unpaid, as the person is a loved one, relative, child or spouse of the caregiver. The job is life-long, and it can be unrelenting. Each year Caregifted gives some of these people a week of time and inspiration and rest in a beautiful location. The program is a pilot at this time and it is McHugh’s hope that the idea will spread and that other organizations will form to do the same thing.

Among all the thousands of charitable organizations in the world, this cause could seem small–until you consider just what the unpaid life-long volunteer contributes to the greater social fabric by doing this. Imagine, for a moment, all of the disabled, in whatever capacity, mental or physical, suddenly without a caretaker, how we would function as a society. Most of us do not have the skills, much less the compassion, to care for people we do not know with autism, or alzheimers, or wheelchair bound– and those who step in and step up provide a sometimes invisible, powerful and indispensable thread in the fabric of our society. Caregifted’s week of time says, “We see you. Thank you! And may you restore your spirit.”

Robert Hass Reading

Only a poet with an unusual mind would conceive this project, and then present an evening of such enchantment in its service. Robert Hass took the stage to read both his own work and poems about art and music. I have searched in vain online for his conversation with Modigliani–startling, eloquent, and please somebody tell me when it is published! Following him, Jonathan Biss played the Steinway and convinced me I may never have heard the piano played before. I sat ten feet from the stage, and my tendency towards cultural narcolepsy did not have a chance. I quite literally felt chills up and down my spine.

The PianistPhotographs © Iskra Johnson (i-phone)

A documentary film (“Undersung”) about Caregifted is in the works, portions of which we viewed at the end of the evening. If you would like to know more (and see film clips) please visit the Caregifted site or donate through Children’s Hospital Foundation.

 

Filed Under: Recent Posts Tagged With: Caregifted, Heather McHugh, Jonathan Biss, Robert Haas reading, Seattle Asian Art Museum

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